Interstate Circuit, Inc. v. United States
Facts
Interstate Circuit and Texas Consolidated operated dominant first-run and subsequent-run motion picture theaters in Texas, and Interstate had a monopoly of first-run theaters in several major Texas cities. O'Donnell, acting for Interstate and Consolidated, sent a letter to eight film distributors demanding that as a condition of Interstate's continued purchase of films for its first-run theaters, distributors require subsequent-run theaters not to charge less than 25 cents for adult evening admission and not to show covered films as part of double features. The distributors, each knowing the proposal had been sent to all the others, substantially unanimously adopted the restrictions in four Texas cities and imposed them on subsequent-run licensees, causing some exhibitors to raise prices and abandon double bills while others lost access to the most popular films. The trial court found that the restrictions increased the income of Interstate and the distributors, diverted attendance from later-run exhibitors, and withheld the best films from low-income patrons.
Issue
Whether the distributors' substantially uniform acceptance and implementation of Interstate's demanded restrictions supported a finding of unlawful concerted action under § 1 of the Sherman Act, even without direct proof of an express agreement. Whether separate contracts between each distributor and Interstate were protected by copyright or instead constituted unreasonable restraints of interstate commerce.
Rule
An unlawful conspiracy under § 1 of the Sherman Act may be established by circumstantial evidence showing that competitors, knowing concerted action is contemplated and invited and that cooperation is essential to a plan whose necessary consequence is an unreasonable restraint of interstate commerce, adhere to and participate in that plan. Copyright ownership does not protect contracts that use copyrighted films as instruments to restrain commerce and suppress competition in order to protect a non-copyright holder's theater monopoly.
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If the United States sues under Sherman Act § 1, what is the strongest basis for finding an unlawful conspiracy among the licensors?